"For over 90 years, there has been a concerted and relentless effort to disparage, denigrate and obliterate the reputations, names, and brilliance of the academic artistic masters of the late 19th Century. Fueled by a cooperative press, the ruling powers have held the global art establishment in an iron grip. Equally, there was a successful effort to remove from our institutions of higher learning all the methods, techniques and knowledge of how to train skilled artists. Five centuries of critical data was nearly thrown into the trash. It is incredible how close Modernist theory, backed by an enormous network of powerful and influential art dealers, came to acquiring complete control over thousands of museums, university art departments and journalistic art criticism" http://www.artrenewal.org/articles/Philosophy/ArtScam/artscam.php

WOUTERUS, Verschuur ( 1812 – 1874)


                   Born to an Amsterdam jeweller, Verschuur received his training from the landscape and cattle painters Pieter Gerardus van Osand Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman, like Wouwerman Verschuur’s subjects consist mostly of stable scenes, landscapes with horses and coastal landscapes.                       Showing talent from an early age, at 15 Verschuur had a painting exhibited at the “Exhibition of Living Masters” at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists’ society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris.
                       The popularity of his paintings provided him with sufficient funds to travel widely. He made frequent trips to Gelderland andBrabant and abroad to Switzerland and Germany. In 1874, on one of his trips to Gelderland, he died on July 4 in the town of Vorden. He left behind an oeuvre of about four hundred paintings and over two thousand drawings. Amongst his students were his son, Wouterus Verschuur Jr. and Anton Mauve.










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